# The Maddening Aspect of Netflix’s *Emilia Pérez* That Often Goes Unmentioned
Netflix’s *Emilia Pérez* has ignited passionate discussions since its debut. This film, which follows the journey of a trans cartel gangster, has generated controversy for various reasons, particularly its depiction of gender identity and crime. While most critiques have centered on the film’s themes and execution, there’s another irritating detail that appears to have been overlooked: the excessive duration of the production credits before the film begins.
## An Endless Prelude
If you’ve ever been exasperated by lengthy introductions in contemporary films, *Emilia Pérez* elevates it to new heights. Viewers are compelled to endure nearly **two whole minutes** of production logos, festival recognitions, and sponsor screens before the first scene even starts.
Here’s what awaits you when you hit play:
– Veterans: A Goodfellas Company
– The 2024 Cannes Festival logo
– Pathé
– Saint Laurent Productions
– Canal+
– Page 114
– Why Not Productions
– Library Pictures International
– France TV Cinema
– Logical Content Ventures
– CNC
– Netflix Presents
Only after this exhaustive roll call does the actual film commence. This protracted introduction resembles more an industry showcase than a cinematic experience.
## A Surging Trend in Streaming?
While extended intros have long been a cinema staple, they have typically been less problematic in the streaming arena. One of the key benefits of services like Netflix is the ability to dive straight into content without superfluous delays. However, *Emilia Pérez* appears to be stretching the limits of tolerance, raising concerns about whether this could become a prevalent trend.
For numerous viewers, this style of introduction interrupts the film’s immersion. Instead of being pulled into the narrative, audiences find themselves waiting, enduring an interminable sequence of production logos. It’s an aggravating experience that compounds the already divisive nature of the film.
## The Larger Debate
Naturally, the lengthy introduction is merely a minor gripe compared to the broader controversies surrounding *Emilia Pérez*. The film has garnered a **72% critic rating** on Rotten Tomatoes, but it holds a **dismal 17% audience rating**. Numerous viewers have lambasted the film as excessively performative, suggesting its Oscar nominations lean more towards political implications than artistic value.
Regardless of your stance on the film’s themes, one thing is evident: *Emilia Pérez* is stretching the patience of its viewers in more than one way.
## Concluding Remarks
While long introductions may not appear to be a significant issue, they contribute to a generally frustrating viewing experience. It is to be hoped that Netflix and other streaming services take heed and refrain from making this a routine practice. When audiences settle in to watch a film, they want to experience the narrative—not an endless reel of production credits.
What’s your take? Do lengthy introductions annoy you, or do they enhance the cinematic journey? Share your thoughts in the comments!
