Review of The Devil Wears Prada 2: The Perfect Sequel—That's All.

Review of The Devil Wears Prada 2: The Perfect Sequel—That’s All.

2 Min Read

Meryl Streep and Anne Hathaway’s return is remarkable.

Two decades after its original release, “The Devil Wears Prada” returns amidst a landscape reshaped by smartphones and social media. Having once worked at a fashion magazine inspired by its themes, the revival is a welcome, high-heeled presence in today’s world.

The elements that made the 2006 film iconic are reinvented: “Runway’s” exclusive fashion, star-studded shows, and Meryl Streep’s cutting performance. Director David Frankel and writer Aline Brosh McKenna return with a sequel that’s as meme-able and sharp as ever, two decades down the line.

In the anticipated sequel, Andy Sachs (Anne Hathaway) transitions from a “Runway” assistant to an investigative journalist, gaining viral fame with a speech underscoring journalism’s importance. Yet, as her team faces layoffs through a mere text message, Andy seeks employment, finding her way back to “Runway,” in dire need of a PR boost.

Miranda Priestly (Meryl Streep) remains the indomitable editor-in-chief. Supported by a new Gen Z assistant, Amari (Simone Ashley), Miranda’s classic sternness merges with adaptive tolerance due to evolving labor laws. However, a PR crisis regarding a fast-fashion client’s ethics draws Andy back into “Runway’s” fold.

The sequel is packed with nods to the original film—be it fashion references or updated gadgets—and a careful blend of nostalgia and fresh twists underscore its reimagined narrative. Notably, the dynamic between Andy and Miranda revives with old habits and new challenges, much to fans’ delight.

Ensemble cast members like Stanley Tucci and Emily Blunt reprise their roles, adding depth and humor, while Simone Ashley and guest actors like Rachel Bloom provide vibrant supporting performances. Even with unnecessary romantic subplots, the sequel is a worthwhile, fashionable reunion worth its weight in nostalgia and modern cultural commentary.

The film hits cinemas on May 1.

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