The demise of “Otto Titsling” is a warning sign.
“Beaches: A New Musical,” currently on Broadway, is not an adaptation of the 1988 film, but rather based on Iris Rainer Dart’s 1985 novel. The stage show, crafted by Dart, playwright Thom Thomas, and composer Mike Stoller, deviates significantly from Garry Marshall’s movie, especially for Bertie’s character. Directors Lonny Price and Matt Cowart attempt to capture the movie’s spirit, and lead Jessica Vosk strives to bring Bette Midler’s energy to the stage.
However, Dart’s writing and lyrics hinder the production. The musical omits most of the movie’s songs, retaining only “Wind Beneath My Wings.” Other popular tracks and fun, campy elements are missing, altering the story’s charm.
The plot follows Cee Cee Bloom and Bertie White from childhood to adulthood, through ups and downs, marriages, and estrangement, ultimately reconnecting during Bertie’s illness. Unfortunately, the songs fall flat, delivering repetitive sentiments without the impact of “Wind Beneath My Wings.”
Character portrayals and story elements are confusing. The omission of certain aspects from the book leaves Bertie’s character underdeveloped, and the introduction of Aunt Neetie adds unnecessary confusion. Bertie’s privilege and unclear life choices, as well as her husband’s character, are inadequately addressed.
Themes from the movie get lost, and attempts to infuse Midler’s flair are insufficient. Vosk and directors incorporate Midler references, but the production is bogged down by a lackluster script. Projection-based staging is ineffective, and blocking disrupts visibility for the audience.
Overall, “Beaches” on Broadway is disappointing. Vosk’s efforts and the supporting cast’s performances are overshadowed by Dart’s writing shortcomings. The directors’ attempts to integrate elements from the movie and Midler’s influence fall short, resulting in an underwhelming production. “Beaches” is now on Broadway, with national tours scheduled for the fall.